He can make your blood
boil by looking at you. He can slit his thumb open
and create a near-unbreakable sword from the blood that flows out.
He commands thousands, protecting them in a camouflaged fortress
built from the reservoir of blood he controls with his mind. This
is a Dracula like none you've ever seen, fever-dreamed for today
and culled from our most reliable archetypal Draculas: the alienness
of Lugosi, the cruelty of Lee, tall and muscular, black hair swept
back. Hard eyes. Fierce jaw. Thin nose and cruel mouth. Black Victorian
suit with a cloak. This Dracula is a King, and he rules with an
iron will and unmatched cruelty.
And he is our only hope.
SWORD OF DRACULA launches
what will become a new line of "Hard-Edged Horror Comics" that
look at classic monsters and macabre tales with a new, intense twist.
Or two.
In SWORD OF DRACULA,
VERONICA "RONNIE" VAN HELSING, the leader of a Mission: Impossible-style
organization called the Polidorium, teams up with her greatest enemy,
Dracula, King of Vampires, to fend off an onslaught from the Nephilim,
the fallen angels who bred the original vampires in the first place (recorded
in Genesis and Enoch).
SWORD OF DRACULA is
about re-inventing Dracula one more time—to make him BIG the way each
of the old movies made him BIG in their day. With new powers, a darker,
more intense attitude for the Prince of Darkness, and a milieu that’s
as much “Misson: Impossible” as it is vampiric, the slogan of SWORD OF
DRACULA is, “You’ve Seen Dracula—but you’ve never seen him like this.”
SWORD OF DRACULA
draws from the insane intensity of Hong Kong live action, and western-like
anime like VAMPIRE HUNTER D: BLOODLUST. The series mixes wide, expressive
action, lean story-telling, commando military tech, andinsane blood
powers never used in a Western Vampire story.